Dear all,
Here is an announcement (in english, french, german) you may be
interested in. Also, we would be grateful if you could forward it to
people who would be likely to submit propositions to the festival
"Rencontres internationales Paris/Berlin" such as artists, directors,
producers or creative organizations.
Thank you for your interest,
Sincerely,

Xavier Mordret
Rencontres Internationales Paris-Berlin
=========================================
EN FRANÇAIS PLUS BAS DANS LE MESSAGE
AUF DEUTSCH UNTEN
=========================================

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IN ENGLISH |

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CALL FOR ENTRIES: UNTIL THE 30TH OF JUNE, 2004

||||| FESTIVAL #8.9
||||| RENCONTRES INTERNATIONALES PARIS/BERLIN
||||| FILM / VIDEO / MULTIMEDIA
|||||

*** Please forward this information ***

In autumn 2004, the "Rencontres internationales Paris/Berlin"
("Paris/Berlin International Meetings") will present in both cities an
international programming focusing on experimental cinema, contemporary
video creation and multimedia, gathering works of artists
and directors acknowledged on the international scene along with young
artists and not much distributed directors.

The "Rencontres Internationales" aim at presenting those works to a
broad audience, at decompartmentalizing the different circles of
creation, at making their audiences communicate as well as creating new
exchanges between artists, directors and professionals.
More information at :

The "Rencontres internationales Paris/Berlin", a non-profit-making event
without competition, are supported by French, German and
international institutions.

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ALL INDIVIDUALS OR ORGANIZATIONS CAN SUBMIT ONE OR SEVERAL PROPOSALS.
THE CALL FOR
ENTRIES IS OPEN TO CINEMA, VIDEO AND MULTIMEDIA CYCLES, without any
restriction of length or genre. All
submissions are free, without any limitation of geographic origin.
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CINEMA AND VIDEO CYCLES

• Fiction - short, medium and feature length – All film and video

formats

• Documentary – All film and video formats
  
• Experimental Film – All film formats
  
• Video art / Experimental video – All video formats
  
• Animation movie – All formats

MULTIMEDIA CYCLES

• Performance art * Installation art * Net art, CD-rom * Sound work

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Video and film submissions are received on DVD or VHS. All submissions
are sent by mail, enclosed with a filled-in ENTRY
FORM, UNTIL JUNE 30th, 2004. The entry form and information regarding
the "Rencontres internationales Paris/Berlin" are
available on our website or on request
by email: info@art-action.org
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Feel free to spread this piece of information to creative organizations
or artists and directors you are in contact with.

Feel free to contact us for any information.
Best regards

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Rencontres internationales Paris/Berlin
roARaTorio - 51 rue Montorgueil - 75002 Paris
Web:
Email: info@art-action.org
=========================================

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EN FRANÇAIS |

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APPEL A PROPOSITION: JUSQU'AU 30 JUIN 2004

||||| FESTIVAL #8.9
||||| RENCONTRES INTERNATIONALES PARIS/BERLIN
||||| FILM / VIDEO / MULTIMEDIA
|||||

*** Merci de faire suivre cette information ***

Les Rencontres internationales Paris/Berlin présenteront dans les deux
villes à l'automne 2004 une programmation internationale
consacrée au cinéma de recherche, à la création vidéo contemporaine et
au multimÃ
©d
ia, réunissant des œuvres d’artistes et de
réalisateurs reconnus sur la scène internationale aux côtés de jeunes
artistes et de réalisateurs peu diffusés.

Les Rencontres internationales ont pour vocation de faire découvrir ces
œuvres à un large public, de décloisonner les différents
milieux de création et faire communiquer leurs publics, de susciter des
échanges entre artistes, réalisateurs et acteurs de la vie
artistique et culturelle. Plus d'information sur :

Les Rencontres internationales, événement non commercial et sans
compétition, sont soutenues par des institutions françaises,
allemandes et internationales.

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TOUT INDIVIDU OU ORGANISME PEUT EFFECTUER UNE OU PLUSIEURS PROPOSITIONS
D'OEUVRE. L'APPEL
A PROPOSITION EST OUVERT POUR LES CYCLES FILM, VIDEO ET MULTIMEDIA, sans
restriction de genre et de
durée. Les propositions sont gratuites, sans limitation de provenance
géographique.
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CYCLES FILMS ET VIDEOS

• Fiction / Court, moyen, long métrage - Tout support film et vidéo
  
• Documentaire - Tout support film et vidéo
  
• Cinéma expérimental - Tout support film
  
• Art vidéo / Vidéo expérimentale - Tout support vidéo
  
• Film d'animation - Tout support film et vidéo

CYCLES MULTIMEDIAS

• Performance * Installation * Net art, CD-rom * Création sonore

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Les propositions film et vidéo sont reçues sur DVD ou VHS. TOUTES les
propositions sont reçues, par courrier, accompagnées
d'une FICHE DE PROPOSITION remplie, JUSQU'AU 30 JUIN 2004. La fiche de
proposition, ainsi que toutes les informations
relatives aux Rencontres internationales Paris/Berlin sont disponibles
sur notre site web ou sur
demande par email info@art-action.org
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N'hésitez pas à diffuser cette information auprès d'organismes de
création ou d'artistes et réalisateurs avec lesquels vous êtes en
relation.

N'hésitez pas à nous contacter pour toute question.
Cordialement.

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Rencontres internationales Paris/Berlin
roARaTorio - 51 rue Montorgueil - 75002 Paris
Web:
Email: info@art-action.org
=========================================

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AUF DEUTSCH |

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TEILNAHMEAUFRUF - EINSENDESCHLUSS 30. JUNI 2004

||||| FESTIVAL #8.9
||||| RENCONTRES INTERNATIONALES PARIS/BERLIN
||||| FILM / VIDEO / MULTIMEDIA
|||||

*** Bitte leiten Sie diese Informationen weiter ***

Die "Rencontres internationales Paris/Berlin" (Paris/Berlin
internationale Begegnungen) stellen im Herbst 2004 in den beiden Städten

ein internationales Programm vor, das sich vorallem dem experimentellen
Kino, zeitgenössischen Videos und dem Multimedia
Bereich widmet, und sich aus Werken von international anerkannten
Künstlern und Filmschffenden, sowie aus Beiträgen weniger
bekannter Künstler zusammensetzt.

Das Anliegen der "Rencontres internationales" ist es, diese Werke einem
breiten Publikum zugänglich zu machen, die verschiedenen
Schaffensbereiche einander näherzubringen und den Austausch zwischen
Künstlern, Regisseuren und Persönlichkeiten aus der
kulturellen und künstlerischen Szene zu fördern. Für weitere
informationen :

Als Veranstaltung ohne lukrative Absichten und ohne Wettbewerb werden
die "Rencontres internationeles Paris/ Berlin" von
deutschen, französischen und internationalen Institutionen unterstützt.


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JEDE PERSON, EINRICHTUNG ODER GESELLSCHAFT KANN SICH MIT EINEM ODER
MEHREREN WERK(EN)
BEWERBEN. DER TEILNAHMEAUFRUF BETRIFFT DIE K
ATEGOR
IEN FILM, VIDEO UND
MULTIMEDIA, ohne
Einschränkungen in Hinblick auf Genre oder Dauer. Die Bewerbung ist
kostenlos und es gibt keine Beschränkungen hinsichtlich des
Entstehungslandes.
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SPARTE FILM UND VIDEO

• Fiktion / Kurz- Mittel- und Langfilm - Alle Film- und Videoformate
  
• Dokumentarfilm - Alle Film- und Videoformate
  
• Experimentalfilm - Alle Filmformate
  
• Videokunst/ experimentelles Video - Alle Videoformate
  
• Animationsfilm - Alle Film- und Videoformate

SPARTE MULTIMEDIA

• Performances * Installationen * Net Art, CD-Rom * Klangkunstwerke

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Film- und Videoeinsendungen werden auf DVD oder VHS angenommen. Bis ZUM
30. JUNI 2004 nehmen wir alle Bewerbungen
gemeinsam mit einem ausgefüllten BEWERBUNGSFORMULAR auf dem Postweg
entgegen. Das Bewerbungsformular, sowie
sämtliche Informationen zu den "Rencontres internationales Paris/Berlin"
finden Sie auf unserer Homepage:
oder bekommen Sie auf Anfrage über
email: info@art-action.org
=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+

Wir würden uns sehr freuen, wenn Sie diese Information an künstlerische
Organisationen, Künstler und Regisseure, mit denen Sie in
Kontakt stehen, weiterleiten könnten bzw. wenn Sie ihrerseits mit einem
oder mehreren Werken, die Sie geschaffen, produziert,
unterstützt oder vertrieben haben, antreten würden.

Wir stehen Ihenen für weitere Informationen jederzeit gerne zur
Verfügung!
Mit freundlichen Grüßen

---

Rencontres internationales Paris/Berlin
roARaTorio - 51 rue Montorgueil - 75002 Paris
Web:
Email: info@art-action.org
=========================================

Soyeon it's great that you can feel so much for you're countryman. When they beheaded that American guy I just thought, sick but oh well, that's what happens when you go prancing about in a country that your country just invaded/liberated/what the fuck ever.I'm detached.
It's confusing, go bomb Iraq and then get the hell out of there leaving them to clean up the mess, well, that's not what the government systems doing, apparently they want to stick around and get people's head lopped off.
It makes me think of the story of the man with his head cut off. It's one of my most favorite stories to tell.
I'm from a little town up in the rolling hills of northwest Georgia. I grew up out on stoner road. Now way back in the prohibition days there was some people up in the hills on Stoner who were making moonshine. Some fancy FBI man heard about it and thought he'd go up yonder and close down those people's moonshine stills but when he got up there they just cut off his head. Then they buried his body in one field and his head in another. People found his body but they never found his head so now his ghost walks up and down stoner looking for another head. You gotta watch out or he just might get yers.
I guess this story is kind of cliche in hindsight but when I was a little kid it scared me to death. It's at least part true I hear. I snuck out of my house when I was 14. I was with my 12 year old friend Shannon. We were walking to meet some friends but we had to sneak into the woods and go around the block because our friend Laura had ran away from home that night and there were cops all around her house searching for her. That's how me and Shannon ended up in the most rural part of my country block where the man got his head cut off. I was scared shitless walking by there at 2 in the morning. There aren't any houses around there just woods with two fields on either side.

One time my lil skinny boyfriend (at the time) rode on a tandem with my roommate's (at the time) boyfriend (at the time). Yeah, so this was about at least 4 years ago. They must have looked cute riding all the way across Atlanta. They were so happy about it. I don't know why Kristin's boyfriend, Chad, had a tandem.
He was a rave promoter at that time, an ex X-games guy to, kind of a character I reckon. I have video tape of Kristin bleaching his hair while he drools on hims

I got the greatest bike today! It has not one but three baskets! I'm so happy with it. Does anyone want to ride bikes? This bike is super great. Rick's bike shop is so cool. The y are nice there. It was founded in 1896.

maybe Paul should bring back the old *system*?

It was my first party that I ever threw in my apartment. I'd lived there for around a year and I was 21 years old. It was a Halloween party. I posted flyers all over my tiny art school. I invited my sister, Lori. I acquired a keg of Budwieser (Lori's favorite).

So there were two crowds
1. The art school kids
2. My sister and her posse of country kids

Then there were the unexpected
3. Georgia tech boys

The artist were the largest and most peaceful group present. They had great costumes and drank in a most amiable fashion. My sister is where the trouble began. She brought along a textile mill worker named Michael who she'd been dating for a week or so. Lori was in the process of getting a divorce from her husband. Lori also brought along Taffy, who was a friend of mine from middle school I hadn't seen in 5 or 6 years.

Well, Lori and her posse showed up kind of early so Michael and Taffy got bored and went to play pool. The party rush came at 10 and went at 3. In that time 2 computer nerd friends of mine had showed up. My sister decided to go play pool with them.

When my sister's friend Michael came back to the house and discovered that my sister was gone he went ballistic. He took his shirt off and started screaming "Where is she, I love her" and crazy shit like that (he's only known my sister for a week ya know) so at some point my sister comes back with Jacob, the computer programmer and his brother Ryan, the GA tech drop out red afro pizza delivery guy.

Michael was going all crazy. He punched Ryan. Jacob got upset and beat Michael up. Michael left but before he left for good he threw a baseball bat through my window.

The funny thing is that all these fighting boys were from my home town. I guess I consider Jacob and Ryan not to me country boys so much because they lived in the city but I knew Ryan in high school.

Moral or the story- Artist make love or art or both not war!

Well, my friend Ian a photo sculptor boy did stay through the drama but he was relatively calm if not extremely drunk.

The stupidest thing is my sister kept dating that crazy violent asshole for a while. I was so mad I actually told on her and my parents got all pissed. I had to tell them about the window ya know?

here is my sister with a drunken Jacob before the fight



this is me in my sparkle costume, with a GA tech stranger and my Andys embarrassed roommate

Lord, I'm late. I want to walk to work but I have to ride my bike that hurts my butt. Why do they make such small seats on those things? Well, I have to get dressed as well. Oh lord, I hate getting up but who will water the pretty pretty flowers if I don't go? John will, hahaha.
Oh, I said I would mention David Torke. I'm apparently going to get a dollar every time I write David Torke on this thing. David Torke has a business one Elmwood. David Torke's business is an e-bay business so if you want to sell things without a hassle just take them to David Torke. Let's See how many dollars does David Torke owe me? ah, six dollars from David Torke. Here is the web site of David Torke and David Torke's office is close to Louie's Hot-dogs. Well, That's all I've got to say at the moment about David Torke.

If the FBI does look to this site for information they could just print out whatever they want before you have a chance to erase it, right?

I'm down with Julie's going underground. She has to do what she does, ya know? That FBI, it's frightening. What can she do to protect herself? She could try to curl up into the smallest ball possible and try to disappear for a while. I think I'd try to crawl back in the womb so my mama'd just have to kill me, like in Toni Morrison's, Sula.
One bar room friend told me that he thinks culture shock is the problem here. Artist Vs the government people. I can see it. I know that when I go home to my family I'm a fish out of water but I'm used to it and they're used to me. I have a good party story I'll tell later that kind of involves this culture shock idea.
Anyway uh ... oh yeah below is some stuff that they sent on the artist list serve in Atlanta so it's good that people outside buffalo are picking up on the overzealous actions taking place here.

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Here are two stories about the Kurtz case. The first is from the Buffalo News, the second is from the Washington Post.

The different impression made by each is quite startling; perhaps attributable to the differing caliber of the news organizations or the recent prosecutions of the Buffalo sleeper cell (a dubious victory in the war on terrorism).

None the less, this puts the question (at least for me) of art's societal function in a different perspective from the usual navel-gazing answers.

Nicholas Fraser

Here's the Buffalo News story:


Six are said to resist grand jury

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Artists, others wary of Kurtz probe
By DAN HERBECK
News Staff Reporter
6/17/2004
A number of artists and art professors refused to testify this week before a federal grand jury that is investigating Buffalo artist Steve Kurtz.

At least six people who were called to testify before the grand jury in the Kurtz case Tuesday refused to appear, invoking their Fifth Amendment rights against self-incrimination, legal sources said Wednesday.

Several defense lawyers involved in the case said federal prosecutors refused to tell their clients whether they might become targets of the probe, and also refused to grant them immunity from prosecution if they
testified.

"My client declined to testify, and so did quite a few others who were called before the grand jury," said Thomas J. Eoannou, attorney for Paul Vanouse, an assistant art professor at the University at Buffalo. "People in the art community are concerned about this investigation, and where it's going. They don't know who is being targeted."

Attorneys James P. Harrington and Daniel J. Henry Jr. said their clients, UB assistant art professor Andrew Johnson and California artist Beatriz da Costa, respectively, also declined to testify.

"I wouldn't call it a protest," Henry said of da Costa's refusal to testify. "It's just a concern she has to protect herself or people associated with her."

Harrington said, "People would love to go into the grand jury and say (Kurtz) is not a danger to anybody. But they don't trust the government."

Kurtz, Vanouse and da Costa all are associated with the Critical Art Ensemble, a controversial group of performance artists who sometimes use
human DNA and bacterial growths such as E.coli in their art exhibits.

The federal investigation of Kurtz, which began last month after the death of his wife, Hope, following an apparent heart attack, has upset many
contemporary artists across the United States and Europe. Public demonstrations supporting Kurtz were held Tuesday in Buffalo, Berkley, Calif., and at least two European cities.

The Joint Terrorism Task Force is conducting the investigation. William J. Hochul Jr., a prosecutor with the task force, declined to comment on the investigation or the testimony of any wi
tn
esses.

"As a prosecutor, I can't even confirm whether there is a grand jury looking into this matter," Hochul said. "Speaking generally, I can say that a grand jury's job is fact-finding, to determine whether a crime has been committed and, if so, by whom. Just because a grand jury is investigating, it doesn't always mean somebody is going to be indicted."

Authorities have told The Buffalo News that the probe is focused on how and why Kurtz got certain biological agents that were found in his Allentown
home after his wife's death May 11.

On May 13, FBI agents in biohazard suits were seen carrying numerous items out of the College Street home. The items reportedly included laboratory equipment, computers and bacterial cultures.

The Erie County Health Department closed down the home after the FBI search and reopened it May 17, after the recovered items were evaluated in a state laboratory.

Dr. Anthony J. Billitier IV, the county health commissioner, said that those who are criticizing the FBI for its investigation are doing so "without knowing all the facts."

"Being careful about public safety should be more important than worryingabout getting beaten up by critics," Billitier said this week. "I can empathize with the FBI's position. On the other hand, Kurtz deserves a fair evaluation of all the facts."

Paul J. Cambria, Kurtz's attorney, said the items Kurtz had in the home were "harmless," similar to those a high school student might use in a science
fair project.

Da Costa has told The News that the FBI appears to be trying to link Kurtz to "bioterrorism."

Kurtz, 46, is an associate art professor at UB. Officials at UB have declined to comment on the FBI probe, except to say that no internal investigation is being conducted by the university.







And here's the Washington Post's story:


The FBI's Art Attack

By Lynne Duke

NEW YORK -- "A forensic investigation of FBI trash." On the telephone, Beatriz da Costa says it wryly. Her humor sounds bitter. She's talking about the detritus of a terror probe at the Buffalo home of her good friends, the Kurtzes.

She's talking about the pizza boxes, Gatorade jugs, the gloves, the gas mask filters, the biohazard suits: the stuff left by police, FBI, hazmat and health investigators after they descended on the Kurtz home and quarantined the place.

The garbage tells a story of personal tragedy, a death in the Kurtz household, that sparked suspicions (later proved unfounded) of a biohazard
in the neighborhood. And it tells a story of the times in which we live, with almost daily warnings about terror, and with law enforcement primed to pounce.

Steve Kurtz, a Buffalo art professor, discovered on the morning of May 11 that his wife of 20 years, Hope Kurtz, had stopped breathing. He called 911. Police and emergency personnel responded, and what they saw in the Kurtz
home has triggered a full-blown probe -- into the vials and bacterial cultures and strange contraptions and laboratory equipment.

The FBI is investigating. A federal grand jury has been impaneled. Witnesses have been subpoenaed, including da Costa.

Kurtz and his late wife were founders of the Critical Art Ensemble, an internationally renowned collective of "tactical media" protest and performance artists. Steve Kurtz, 48, has focused on the problems of the emergence of biotechnology, such as genetically modified food. He and the art ensemble, which also includes da Costa, have authored several books including "Digital Resistance: Explorations in Tactical Media" and "Electronic Civil Disobedience and Other Unpopular Ideas," both published by Autonomedia/Semiotext(e).

The day of his wife's death, Kurtz told the authorities who he is and what he does.

"He explained to them that he uses [the equipment] in connection wi
th his
art, and the next thing you know they call the FBI and a full hazmat team is deposited there from Quantico -- that's what they told me," says Paul Cambria, the lawyer who is representing Kurtz. "And they all showed up in their suits and they're hosing each other down and closing the street off, and all the news cameras were there and the head of the [Buffalo] FBI is granting interviews. It was a complete circus."

Cambria, the bicoastal Buffalo and Los Angeles lawyer best known for representing pornographer Larry Flynt, calls the Kurtz episode a "colossal
overreaction."

FBI agents put Kurtz in a hotel, where they continued to question him. Cambria says Kurtz felt like a detainee over the two days he was at the hotel. Paul Moskal, spokesman for the Buffalo office of the FBI, says the bureau put Kurtz in a hotel because his home had been declared off limits.The probe, Moskal says, was a by-the-books affair from the very beginning.

"Post-9/11 protocol is such that first-responders have all been given training about unusual things and unusual situations," Moskal says.

And obviously, says Lt. Jake Ulewski, spokesman for the Buffalo police,what the cops eyeballed raised some alarms. "He's making cultures? That's a little off the wall."

Erie County health officials declared the Kurtz home a potential health risk and sealed it for two days while a state lab examined the bacterial
cultures found inside. Officials won't divulge what precisely was examined, but it turned out not to be a danger to public health. And the house was reopened for use.

Still, federal authorities think something in that house might have been illegal, Cambria surmises. But Cambria denies there was anything illegal in the house. William Hochul Jr., chief of the anti-terrorism unit for the U.S. attorney's office in the Western District of New York, would not comment on the investigation.

Kurtz, on Cambria's advice, isn't speaking to the press either.

Da Costa, a professor at the University of California at Irvine who has flown to Buffalo to help out, says Kurtz is "depressed" and dealing with the loss of his wife, who died of a heart attack.Today the Buffalo arts community will memorialize her.

Adele Henderson, chair of the art department of the State University of New York at Buffalo, where Kurtz has tenure, is among the people who've been questioned by the FBI.

On May 21, she says, the FBI asked her about Kurtz's art, his writings, his books; why his organization (the art ensemble) is listed as a collective rather than by its individual members; how it is funded.

"They asked me if I'd be surprised if I found out he was found to be involved in bioterrorism," she says.

Her response? "I am absolutely certain that Steve would not be involved."

They also asked about "his personal life," Henderson says, but she would not describe the questions or her responses.

The investigation, she says, will have no bearing on Kurtz's standing at the university, where he is an associate professor. (Prior to Buffalo, he taught at Carnegie Mellon University.)

"This is a free speech issue, and some people at the university remember a time during the McCarthy period when some university professors were harassed quite badly," she says.

Nonetheless, considering the kind of art Kurtz practices and the kind ofsupplies he uses, "I could see how they would think it was really strange."

For instance: the mobile DNA extracting machine used for testing food products for genetic contamination. Such a machine was in Kurtz's home. His focus, in recent years, has been on projects that highlight the trouble with
genetically modified seeds.

In November 2002, in an installation called "Molecular Invasion," Kurtz grew genetically modified seeds in small pots beneath growth lamps at the Corcoran Gallery of Art, then
engineere
d them in reverse with herbicide, meaning he killed them.

"We thought it was very important to have Critical Art Ensemble here because we try to have our visiting artist's program present work that takes our curriculum to the next step," says Denise Mullen, vice dean of the Corcoran College of Art and Design, whose Hemicycle Gallery hosted Kurtz's molecular exhibit.

Beyond the cutting edge of art, she says, "we want work that is really bleeding edge."

In Buffalo, in the aftermath of the bioterror probe that has found no terror, activist artists have scooped up the refuse from the Kurtz front
yard and taken it away, perhaps, says da Costa, to create an art
installation.