Hirst 'sorry' for rotting remains



"There was a big lump of something that looked like a cow"
Damien Hirst is to apologise after rotting animal remains were left
outside his studio in Chalford over the Bank Holiday Weekend.
The parts - thought to be from a cow - were supposed to have been picked
up on Friday 28 May but were not removed until Tuesday 1 June.

A spokeswoman for the artist said: "He will be apologising. It shouldn't
have happened but it's now been dealt with." She blamed a "mix-up in
communications" for the late removal of the remains.

'Absolutely vile'

Trading Standards officers from Gloucestershire County Council were
called in to investigate after people living close to the artist's
studios on the Chalford Industrial Estate reported a bad smell.

"On Sunday the stench was so bad we couldn't open any of the windows and
I decided I had to do something about it," said Charles Eagles.

"As I walked towards the box the smell just got stronger and there were
loads of flies.

"When I opened up the lid it was revolting - it was like something out
of a horror film. There was a big lump of something that looked like a
cow. It was absolutely vile."

A spokesman for Gloucestershire County Council said: "Trading standards
officers removed the remains and took them to approved premises for
incineration on Tuesday.

"Investigations are ongoing to see if any breach of regulations was
made."

Damien Hirst, a Turner Prize winner is widely known for displaying dead
animals in tanks of formaldehyde.


Hirst says sorry about dead cow
04 June 2004

22828&section=news

LONDON: Artist Damien Hirst, who uses dead animals in his work, has
promised to apologise after a rotting cow was left outside his studio
over a long holiday weekend.

Inspectors visited the studio in Gloucestershire over the weekend and
took the putrid remains of an animal away to incinerate them, after
neighbours complained about the horrible smell.

A spokeswoman at Hirst's studio confirmed that the remains were those of
a dead cow.

"It was at the rear of the studio in a plastic-contained bin," she said.


"It's a communication mix-up between the contractor who was collecting
it and a member of staff. So it was left over the bank holiday weekend,
which was very unfortunate."

She said Hirst planned to apologise for leaving the dead animal out. She
would not say what the artist had used it for.

The artist won the Turner Prize in 1995 for Mother and Child, Divided,
which featured an adult cow and a baby calf, each split in half, pickled
in formaldehyde and displayed in glass tanks.

Local authorities in Gloucestershire said they were investigating to see
whether any regulations were broken when the animal was left in the
street.

The sun tries to eat my skin. I'm changing colors. It hurts. It's about time to go water flowers. I slept a dead sleep for a long time.
On Saturday y'all should come out to Soyeon's for our 23/33 birthday BBQ.

Does anyone want to go to the Beach tomorrow with Keith and me and some friends?

This organization that I'm working for (plant watering) Forever Elmwood , has a lot to do with the greatness of Elmwood Avenue. At least that's what they say and I believe it because they've been at it for ten years. They are a community organization that works with the business owners and residents to keep the street feeling and looking good. Bob, my boss, told me that Elmwood Forever is the reason talking leaves book store came to Elmwood. He said that before the talking leaves store was there some gross bar was there and people would always leave it to go piss in the park.
I've only lived in buffalo a little while so I have no idea what Elmwood was like 10 years ago or even two years ago. Maybe some of you buffalonians can give some validity to this story. Bob also told me that the state assembler for this district lives right across from Paul, Matt, and Terry.
Sorry I never made it out last night. I think that the pride celebration must have tired me out more than I realized because when I got home I slept for 13 hours and now it's about time for me to go water the flowers!
y'all should all become members of forever elmwood if you're into the cause. I think it cost anywhere from 30 to 100 bucks!

I'm a little obsessed with this Ben Hoff book but I promise this is the last excerpt I'll post. I just feel like this excerpt is especially relevant to the events which have ensued since 9/11. Oddly enough this book was published in 1992.

The Te of Piglet

Things As They Are

The overwhelming tendency in unobservant industrial society, however, is to ignore small problems until they become enormousand then panic.
"Call out the troops! Mad Tyrant Number Twelve is taking over the world! We've got to stop him-even if we have to kill half a million people doing it! Oh, it's simply awful Well, let's see. . .
Who sold him his weaponry ? We did. Who trained his military forces in the use of it? We did. Who supplied the materials he wanted? We did. Who supported his vicious dictatorship for years because he persecuted our "enemies"? We did. And who ignored his unstable personality, his destruction of anyone who opposed him, and his repeated threats against world order for all that time ? We did. So there you are.

PRESS RELEASE
Contact: organize@caedefensefund.org

PROTECT US--DON'T PROSECUTE US!
SECURE LIBERTY--CRITICAL ART ENSEMBLE IS INNOCENT!

CALL FOR DEMONSTRATION IN SUPPORT OF CRITICAL ART ENSEMBLE AND FREE SPEECH
RIGHTS

The committee to organize CAE Defense is calling for a peaceful
demonstration of support outside the Grand Jury hearings on the case of
Steve Kurtz (CAE), beginning on June 15th.

WHERE: County Court House, 138 Delaware Ave. Buffalo, NY.
WHEN: 9 AM, June 15, 2004

Critical Art Ensemble (CAE) is a collective of internationally recognized
artists who work in public, educational, academic and art contexts. Most
recently their work has been directed towards providing the general public
with awareness and understanding about biological research. The aim of their
work is not alarmist or sensational. Through participatory performance
experiences CAE provides information and knowledge. It brings people into
contact with the reality of scientific research often not accessible to the
general public. The work is always undertaken in a safe and considered way,
using materials commonly available in scientific education and research
practices.

The FBI in its efforts to protect the public is now overreaching its mandate
by using an overwhelming amount of pressure against a group of artists
making their work for the peaceful purpose of vital public discussions.
Artists like CAE stimulate public debate necessary to a healthy democracy.
Our constitution guarantees the right to freedom of speech and our
government is charged with securing that right. The job of democracy is to
protect the minority from the tyranny of the majority. In the United States
we are not governed by mob rule, nor should government exploit its
responsibilities to the public by persecuting innocent people. We too, as
citizens must stand up now to affirm our rights and defend our liberty.

This is a peaceful demonstration. Please bring signs and banners. Check the
website for PDF's and examples of signs and slogans you can print out.

CIRCULATE THIS CALL AS WIDELY AS YOU CAN
PLEASE BE SURE TO CHECK THE WEBSITE FREQUENTLY FOR UPDATES ON THE DEMO.

A Word About Demonstrations.
As with all demonstrations it is advisable to bring personal identification
(driver's license, passports, student id's, proof of address, etc.) Let
someone know where you are going to be. Stick with a buddy.

BRIEF FOLLOW-UP TO INITIAL PRESS RELEASE: To date Steven Barnes and Dorian
Burr, founding members of CAE, as well as Beatriz da Costa and Paul Vanouse,
artists who have collaborated with CAE, as well as several other people,
have been served with subpoenas to appear before the federal Grand Jury that
will consider bioterrorism charges against University professor Steve Kurtz
whose art involves the use of simple biology equipment. The subpoenas are
the latest installment in a bizarre investigation in which members of the
Joint Terrorism Task Force have mistaken an art project for a biological
weapons laboratory (see first press release on www.caedefensefund.org).
The artists involved are at a loss to explain the increasingly bizarre case
that shows how vulnerable the PATRIOT Act and other post-9/11 "security"
measures have made freedom of speech in this country.

According to the subpoenas, the FBI is seeking charges under Section 175 of
the US Biological Weapons Anti-Terrorism Act of 1989, which has been
expanded by the USA PATRIOT Act to prohibit the possession of "any
biological agent, toxin, or delivery system" without the justification of
"prophylactic, protective, bona fide research, or other peaceful purpose."
(See for the 1989 law and
for its USA P
AT
RIOT
Act expansion.)

Man - Woman - San
Men - Women - Sen
He - She - Le
His- Hers - Lov
Him - Her - Loh


When san first came to be le was totally pissed off because le was in darkness. Le had no eyes. Le found lov inability to see to be most disturbing so le felt around until le found two circular objects then for some reason le jammed them into lov head and low and behold, le could see.
This pleased loh very much and le decided to tell lov friend the cactus about it but le found that although le had a strange vibration in lov throat le had trouble talking so le thought that if le made an abrasion in lov head perhaps the sound could escape better. The san looked around until le found a sharp instrument and le jammed it into lov face making a large hole that became lov mouth. Then le laughed out loud at lov own cleverness.
Once the san had a mouth le realized that lov friend the cactus was most happy to give loh lov milk. The milk went into the san's sound hole. The cactus said "San perhaps you would enjoy this milk more if you had some sort of sensation that gave flavor to the milk." The san agreed heartily with the cactus and took a small stick and poked two symmetrical into lov head to form nostrils.
Le was most pleased with all these things so le gathered around the other Sen and gave them all the same bodily alterations that le had just given to lohself. All the people enjoyed there new abilities quite a bit and got to laughing and grunting at each other. They drank milk until there bellies were round and full but then they realized that there bellies were so full they could hold no more milk even though they still had the desire for the taste of it.
The first san being the industrious and thoughtful being that le was decided that the best solution to this problem would be to make another orifice in their bodies below the stomach to allow the milk to flow free. Le first poked a hole for lohself and then le gave everyone else one and they worked fantastically. Now all the people could drink as much cactus milk as they wanted and eventually it would just leak back out.

The Te of Piglet by Hoff

Things as They Might Be


In our part of the world, this unobservant tendency is displayed in the most depressing manner whenever there's an Election. For nearly thirty years now, the nation that was once the Light of the Free World has been electing to the highest office in the land a succession of Nightmare Clowns who lead us deeper and deeper into darkness as they encourage massive greed and corruption, run up multibilliondollar debts for future generations to pay, turn the economy into jelly, refuse to take action necessary to save what's left of the natural. world ("More studies are needed"), and threaten to blow up the planet because some country somewhere isn't doing what they think it ought to quickly enough all the while making remarks on the intelligence level of "If you've seen one redwood tree, you've seen them all."

The Te of Piglet by Benjamin Hoff
expert from chapter -The Eeyore Effect (on feminist)

Eeyore Amazons are so masculinity-oriented that they think of success, power, and all
that in aggres-sive, combative masculine terms. And so, just when a good many of us
men have discarded earth-family-and-society-damaging machismo, along come the
Eeyore Amazons, curs-ing and plundering like pirates in a bad Hollywood movie. Not
exactly what we would call Advancing the Feminine. Yet even as they imitate and
in-crease the worst sort of masculine energy, they denounce practically everything they
dislike as masculine and a threat-to the extent of seeing masculinity and threats that
aren't there. Stranger and stranger. For example, the Amazons want to eliminate what
they call the "masculine" (neutral) nouns, pronouns, and adjectives of the English
language because, they say, these words are demeaning to women. Then they
substitute words that are de-meaning to everyone. First, they made us change
chairman to chair-person- which meant the same thing as chairman, only it was harder
to say, longer to write, and just a bit silly. After a while, recognizing that chairper- -
son was indeed rather awkward and stupid, they made us change it to chair. You know
what a chair is. It's a thing. You sit on it.
So now Plain English has been turned into patronizing Lawyer-Politicianese . . .
If a person does not keep pace with his or her companions, perhaps it is because he or
she hears a different drummer [or drummerette?]. Let him, or her, step to the music
which he, or she, hears, however measured or far away.
. . . and equally nonsensical Pluralspeak:
If a person does not keep pace with their compan-ions, perhaps it is because they hear
a different, drummer.
For a classic example of what Eeyore Politiciz-ing can do to a language, here's a
not-so-brief-any-more passage from the "improved" Oregon Revised Statutes--one of
many such passages rewritten to avoid "masculine" terms and voted into law:
(a) When owned or leased by a farmer and used in transporting the farmer's own
agricultural commodities, agricultural products or livestock . . . that were originally grown
or raised by the farmer on the farm of the farmer, or when used in any transportation
which is incidental to the regular operation of the farm of the farmer, or when used to
transport supplies, equipment or materials to the farm of the farmer that are con-sumed
or used on the farm of the farmer.
When all the books and so on have been censored and rewritten to suit the Eeyore
Ama-zons, precisely what will have been accomplished? And why are words so
important to them, anyway? For example, if they marry, they reject their hus-bands'
family names. These names are paternal and are therefore symbols of "male
chauvinism," they say. So they keep their unmarried names-which came from their
fathers. (And their fathers were
strong advocates of women's rights?) Behind their antimasculine words, it's
Over-masculinity
as Usual, as the Eeyore Amazons imi-tate the lowest sort of masculine behavior and
further the very energy they criticize. They break up Men's Clubs, which, they say,
mean discrimi-nation. Then they establish Women's Clubs, in which no men are
allowed. They accuse men of being Sexists. Then they behave like Sexi~ts. They say
they want Sensitive Men. When they' encoun-ter such men, they shove them about. To
put it plainly, their New Woman wants to be like the Old Man. And maybe even worse. .
In a world that's practically screaming for re-lief from the Heavy Hand of
Hypermasculinity, the Eeyore Amazons give us More of the Same. Who needs it?
Countering Hypermasculinity with Hyper-masculinity is rather like dousing a fire by
pouring gasoline on it. You can't beat sensitivity into peo-ple. But you can beat it out of
them.
I
nto what sort of future, and what sort of world, are the Eeyore Amazons pushing
us? Where is respect for the feminine going? As anyone can see, women are being
Used and Abused more than ever. Never have they been portrayed so de-meaningly in
movies, television shows, magazines, and books. And, according to statistics, the
femi-nine side of the work force is not being paid as much for its efforts as it was twenty
years ago. The influence of the Eeyore Amazons may not exactly be setting femininity
Free, but it is making it Re-markably Cheap. If truth be told, respect for the feminine is
sinking like the Titanic-and, consequently, so is the state of the earth, the family, and
society. The Eeyore Amazons blame men for all this. They might be wiser to blame
misguided, excessive masculine energy-including that which they are advancing.I .1
When the original Titanic went down, it was Women and Children First into the
lifeboats. Now it' s Women and Children Last. As a young man explained to us after a
particularly nasty remark to his secretary, "We don't have to be nice to them anymore."
As do Eeyores in general, the Eeyore Ama-zons want men to stop being Chivalrous
(not that many are now, anyway). Chivalry is Patronizing and Demeaning to Women,
they say. But is it~ And is chivalry limited to the behavior of meIJ toward women?
Whether of the European or th€ Asian variety, the code of chivalry makes kindness.
consideration, and respect fashionable, and makes it admirable and desirable for the
advantaged t<J assist the disadvantaged. Without chivalry, it'5 Claw and Fang, Might
Makes Right, Kill or be Killed. So we, along with past Taoist writers,/ knights-errant, and
forest outlaws, would say: Ii you do away with chivalry, and do away with th
~feminine, Watch Out. To close this chapter, we would like to quote
from Hope Against Hope: A Memoir, in which ~al dezhda Mandelstam described the
Eeyore Effect at work in Stalinist Russia. Unfortunately, the Principle involved is not
limited to another society at another time, but is universal and ever-present:
There were once many kind people, and even un-kind ones pretended to be good
because that was the thing to do. Such pretense was the source of the hypocrisy and
dishonesty so much exposed in the realist literature at the end of the last century. The
unexpected result of this kind of critical writing was that kind people disappeared.
Kindness is not, after all, an inborn quality-it has to be cultivated, and this only happens
when it is in demand. For our generation, kindness was an old-fashioned, vanished
quality, and its exponents were as extinct as the mammoth. Everything we have seen in
our times-the. . . class warfare, the constant "unmasking" of people, the search for an
ulterior motive behind every action-all this has taught us to be anything you like except
kind.