as in,
"the scent of seduction with a hint of flame-broiled meat."

Yes, read it again. What we have here, is that Burger King has ventured into perfume, or rather "Men's body spray"- Or is that, La Vache De Toillette? That is as hilarious as it is disturbing.

Burger King launches beef-scented body spray
Thursday December 18, 7:27 pm ET
Where's the beef? A new meat-scented body spray makes men the answer, courtesy of Burger King

NEW YORK (AP) -- Looking to beef up your mojo this holiday season?

Burger King Corp. may have just the thing. The home of the Whopper has launched a new men's body spray called "Flame." The company describes the spray as "the scent of seduction with a hint of flame-broiled meat."

The fragrance is on sale at New York City retailer Ricky's NYC in stores and online for a limited time for $3.99.

Burger King is marketing the product through a Web site featuring a photo of its King character reclining fireside and naked but for an animal fur strategically placed to not offend.

The marketing ploy is the latest in a string of viral ad campaigns by the company. Burger King is also in the midst of its Whopper Virgins campaign that features an taste test with fast-food "virgins" pitting the Whopper against McDonald's Corp.'s Big Mac.

Burger King Holdings Inc. shares rose 15 cents to close at $20.53

I'd totally buy it as a gag gift.

awh, yeah.. you can almost see it..
.. and you can almost taste it.

ew. haha

Movie suggestions?

I have such an urge to watch holiday themed movies. I don't really own any (unless you count Die Hard with its taking place on Christmas Eve, heh) so I will be heading out to Blockbuster or somewhere to pick up a few.

I recently saw for the first time, Polar Express, so that is out. I will likely watch it again, but that won't count towards my movie renting adventure queue, as with Charlie Brown Christmas.

"Elf" will be on my list- Will Ferrel just cracks me up in it.

But what else? I'm open to anything- new, super old, classics, funny, raunchy, dramatic, cartoons and/or even silly/lame romantic comedies (I own, The Holiday, now that I think about it- Jude Law, Cameron Diaz, Jack Black, Kate Winslet)

I'm looking for a list of movies on line to choose from right now, but this will be so much better to have your input!!! :)

So, what are your favorite Holiday/Christmas themed movies???

So many parties and gathering abound. Not sure which I will attend of anyone's, and which I will pass on, for various reasons. I did however go to one this past Friday as I have known about it for months. The holiday party I attended with my bf for his work was really quite nice. As per last post, I was just fine in the social arena. I faked being 'not shy', and as usual it worked out fine. People were curious about me, as no one had yet met me although they very much knew about my existence. It was equally nice to put faces to names and stories I had heard about. I really enjoyed the atmosphere and everyone I talked with.

The night was cold and snowy going there, but leaving, the sky turned amazingly clear and starry, a nice backdrop for a full vibrant moon. I wore a cute but modest cocktail (tube?) dress and heels. Black with a hint of glimmering purple. The bodice went straight across my chest without any glimpse of cleavage, which I prefer for most all of my clothing. Directly under the breast area yet just above the waist was a black bow detail. It was/is really cute and I would like to wear it again, otherwise it will just sit in my closet. Suppose I could always sell it. So overall, I ended up spending more money on everything than I anticipated. Not a bad thing, it just isn't where I usually spend my money. I originally planned to wear a super cute dressy skirt and pair it with a new blouse or sweater, but in my shopping endeavors, I didn't find anything that I was comfortable with. So when I decided to try this dress on for the fun of it, I was greatly surprised how it would be perfect for the occasion. So I went for it. Really, I have more than a closet full of clothes but I wanted something new. I have SO many clothes, but I pretty much stick to the same things regardless of what the event calls for. I love clothes seeing different fashions and such, but I'm more of a casual, functional, adventure ready sort of attire wearer. In heals, I am pushed up over 6 feet tall, and I'm really more comfortable in flats and maintaining my 5'10" loveliness. But I do sport the heals on occasion, preferably when I know there wont be a lot of walking. I like to walk fast and without worry of toppling over. Anyway, all in all, I was pleased with my find and the end product. I may or may not have pictures. Although my bf always has a camera on him, we failed to get any of us at the event. Before hand, we set the camera to take a pic of us, but it wasn't a full body shot, something I wanted so I could post over at a fashion community group at Live Journal.

So we arrived at a nice banquet facility- I do not remember the name, and I plan to find out as it was small, classy, cozy, and well laid out. Hors d'oeuvres of stuffed mushrooms, clams casino, meatballs, vegetables were displayed and delicious to consume. I was craving more of the clams all weekend. An open bar provided for any sort of concoction one desired. I had two rounds of a vodka-soda with lime. A super cool magician guy kept us entertained. I was seriously baffled at times, which heightened my amusement. Later, dinner was a nice spread of all sorts of yummy food and continued conversation.

The company did a gift exchange, which was entertaining to watch. Everyone who wants to participate brings a gift. A bowl full of pieces of paper with a number written on each are circulated around to everyone. Each person draws a number, which indicates when it is your turn to go up to the gift table to select a gift. For example, person number One goes up and selects any wrapped gift they choose and opens it right there. Everyone sees it. At this point, they must keep the gift, so they go sit down. Person with number Two then goes up to the gift table and selects a wrapped gift, and then decides whether to open it and KEEP it-- OR (and this is where it becomes entertaining) if they prefer person number Ones opened gift they hand over their chosen unopened gift over to person number One and trade (which person number One has no choice- their gift might be snatched from them, and handed the unknown unopened gift that person number Two selected). So on it goes. Person number Three then goes to the table, selects a wrapped gift then decides to open it and keep it, OR before opening it, swap with either of the others gifts that have been opened already by person One or Two. And so it goes from there. There can be all sort of swapping and you never know what you have until the very end. The last person to have the option to swap, it the person who went up to begin with, person number One. Starting off as the number One person you have no choice, as no other gifts have been opened. But in the end, you have the ultimate choice, as you can choose from any of the other gifts that were opened through every last person having their turn. In this case, 15 people participated in the gift exchange. When our turn came, my BF chose a package and handed it to someone who had previously opened a gift of Baileys liqueur. So for a little while we had giant bottle of Baileys in our possession before it got swiped out by someone unknowingly holding a package of flashlights, which we had to open and keep (no more swapping by choice beyond the initial gift selection) and went home with. It was fun. There were some gag gifts of the sort and some really nice stuff and a few things in between. The Baileys would have been fun. The flashlights could be fun. Baileys and flashlights would be most fun.

I still have yet to get any shopping done. Well, I picked up one thing for a friend, and a movie for my mom, but that is all so far. I have to really think about what I want to get and then take care of it all this week- and then tie up loose ends next week. I am NOT going out this weekend- as anyone else who has put it off is likely to be out on the final weekend before the holiday! I'm not a 'shopper' and usually prefer to stay out of stores, unless it is for me- books, techy stuff, and occasional late night jaunt to wander Wegmans when I feel like I have the place to myself. Speaking of which..

I've been cooking a lot more lately- last week it was a green chicken/veggie curry over jasmine rice (perfect) and this weekend it was a beef stroganoff made with lots of sirloin and sliced baby portabella mushrooms. Everything I make is made with as fresh of ingredients as possible and from "scratch"- unless it is otherwise redeemed ridiculous, time or money consuming. I pretty much guess at what goes into my concoctions and I measure nothing, unless baking, then I follow more closely. I consult a recipe prior to shopping just to see what I might want to make sure goes into a dish- but I will add and take away as I feel creative. That is what I like about cooking- not so much anything to fill my belly, but to experiment and create. A nice balance of Art and Science, if you will. There is an end product, and it can be appreciated by others. I do less cooking if there is no one for me to share it with. Considering how well the last few things I have made turned out (seriously so yummy), I would be wise to write down as much as I can remember as to what went into it (still wouldn't know how much measurement wise). Also, I keep kicking myself for not photographically documenting the process. I know how many of us love some good food-porn.
This week, I aim to make lasagna and/or chili, if I have the time, money and ambition to buy what is needed. I have noodles and beans I want to use up, so it will be a matter of finding the remaining ingredients at the store. I am also trying to make a couple of different things using what I bought for the original intent (ie, I made a beef barley soup from rationed off stroganoff ingredients. Made a killer omelet using some of the veggies from previous curry recipe, etc). My mind feels more organized when I do that as well and besides, the food (and tastes) goes farther when I can make a couple of smaller batch items than one giant batch of something. Good stuff.

I still want to find some mistletoe- I entirely forgot when I was out last week shopping for an outfit for the party. Actually, I have a bit of "un-shopping" to do, as I purchased extra items for my outfit (as extra choices) that I certainly don't need (ie jewelery, stockings, bra-nothing worn, just decided against some of the things I purchased). So that will be a nice chunk of change back into my account that I can use to start/finish gift shopping.
oy.

That's it for now. Stay warm- don't blow away. it was so crazy windy this morning that the sounds of the wind/rain morphed my dreams. Eery stuff.

PS. I just realized that I have never had eggnog. Have I been missing out?


thought this was kind of cute when it was circulated in an email recently:

So I look at the calender and realize that in two weeks today is Christmas. Seems I am always losing a couple of days here and there- the dates of things seem to sneak up. As with most major holidays, this one isn't a big deal. I mean, I barely have any family in the area.
The holidays were a bigger to-do back a decade or so, when there were more family, extended family, friends and so on. So while those were some fun times, it is nice not to have the craziness of this time effect me like it does others. I can go out in one afternoon a shop for the few people on my list. No anxiety in dealing with crowds, finding gifts or wiping out the bank account to do so. I can make cookies or not. There aren't any big dinners or gatherings to enjoy/suffer through. Some of those things can be fun, and so with that, I want to make some cookies, maybe get around to sending out cards (I'm terribly inconsistent with giving out cars- however, i found some super cool FESTIVUS cards last year that I want to use!) and I will do a little shopping soon, maybe even today.
My boyfriend doesn't have any family, but he does have a three year old son (who he sees a few days of the week- and will likely be with his sons family for the holiday). Anyway, kids are fun for all the creative coolness I enjoy, so I look forward to getting out some art supplies and having us make some "ornaments" for the small tree I put up at my boyfriends. Maybe the little one can help decorate a few cookies.
So although I don't fully celebrate like others do, not feel the need to get so into it (nor do I have a basis to), I enjoy the creativity that can comes of this holiday, as mentioned above. I also like sparkly stuff- so putting up a very simple tree, yet looks really nice lit at night, humors me. It is nice to sit in quiet contemplation and look at the lights within the tree. Reminds me of my childhood, when I would lay among the gifts under the tree, I would look up through the tree branches and day dream to the twinkling lights. I loved doing that so much- getting lost in my thoughts- wish I could remember what I thought about.
Today I head out to pick out something to wear to a Christmas party tomorrow night for my BF work party. I'm so socially retarded that I have some anxiety over this. I can pretend to be 'not shy', but the feelings still swirl around inside. I'm often ok once I am in the midst of everything, but not always. Being more hermit-like is so much more comfortable! But I will do alright, even though I will be around a bunch of strangers, dressed up and inwardly freaking out. I think I need to start mentally prepping myself now, haha.

While I am out today, I want to find mistletoe- anyone know where I can find some?? I think I just stumbled across some in previous years.I want to buy several bunches of mistletoe to hang all throughout his place. I need to be a little obnoxious, right?

Stay warm!

I meant to post this yesterday. I read the following article from the New York Times pertaining to the history of Buffalo architecture and preservation, experimentation and economic recovery. Thought I would share this for those interested. A quick read:http://www.nytimes.com/2008/11/16/arts/design/16ouro.html?_r=1&em&oref=slogin

(edit: ack, it isn't linking. Here is the article copied/pasted)

November 16, 2008

New York Times ARCHITECTURE

Saving Buffalo's Untold Beauty

By NICOLAI OUROUSSOFF



BUFFALO

ONE of the most cynical clich�s in architecture is that poverty is good for preservation. The poor don't bulldoze historic neighborhoods to make way for fancy new high-rises.

That assumption came to mind when I stepped off a plane here recently. Buffalo is home to some of the greatest American architecture of the late 19th and early 20th centuries, with major architects like Henry Hobson Richardson, Frederick Law Olmsted, Louis Sullivan and Frank Lloyd Wright building marvels here. Together they shaped one of the grandest early visions of the democratic American city.

Yet Buffalo is more commonly identified with the crumbling infrastructure, abandoned homes and dwindling jobs that have defined the Rust Belt for the past 50 years. And for decades its architecture has seemed strangely frozen in time.

Now the city is reaching a crossroads. Just as local preservationists are completing restorations on some of the city's most important landmarks, the federal government is considering a plan that could wipe out part of a historic neighborhood. Meanwhile Mayor Byron W. Brown is being pressed to revise a proposal that would have demolished hundreds of abandoned homes.

The outcome of these plans will go far in determining the city's prospects for economic recovery, but it could also offer a rare opportunity to re-examine the relationship between preserving the past and building a future.

Buffalo was founded on a rich tradition of architectural experimentation. The architects who worked here were among the first to break with European traditions to create an aesthetic of their own, rooted in American ideals about individualism, commerce and social mobility. And today its grass-roots preservation movement is driven not by Disney-inspired developers but by a vibrant coalition of part-time preservationists, amateur historians and third-generation residents who have made reclaiming the city's history a deeply personal mission.

At a time when oil prices and oil dependence are forcing us to rethink the wisdom of suburban and exurban living, Buffalo could eventually offer a blueprint for repairing America's other shrinking postindustrial cities.

Touring Buffalo's monuments is about as close as you can get to experiencing firsthand the earliest struggles to define what an American architecture would look like.

The city's rise began in 1825 with the opening of the Erie Canal, which opened trade with the heartland. By the end of the 19th century the city's grain silos and steel mills had become architectural pilgrimage sites for European Modernists like Erich Mendelsohn and Bruno Taut, who saw them as the great cathedrals of Modernity. In their vast scale and technological efficiency, they reflected a triumphant America and sent a warning signal to Europe that it was fast becoming less relevant.

Yet it is the parade of celebrated architects who worked here as much as the city's industrial achievements that makes Buffalo a living history lesson. Daniel Burnham's 1896 Ellicott Square Building, with its mighty Italian Renaissance facade, towers over the corner of Main and Church Streets. Just a block away is Louis Sullivan's 1895 Guarantee Building, a classic of early skyscraper design decorated in intricate floral terra-cotta tiles.

Across town, Henry Hobson Richardson built his largest commission: the 1870 Buffalo State Asylum for the Insane, composed of a pair of soaring Romanesque towers flanked by low brick pavilions. Light and air poured in through tall windows; spacious 18-foot-wide corridors were designed to promote interaction among the inmates, an idea that would be refined by Modernists in their communal housing projects decades later.

But it was Wright who made the decisive leap from an architecture that drew mainly on European stylistic precedents to one that was rooted in a growing cultural self-confidence. Wright built two of those great pillars of American architecture here, the 1904 Larkin Building and the 1905 Darwin D. Martin House.

Although torn down in 1950, the Larkin Building, designed as the headquarters of the Larkin Soap Company, remains one of the most influential designs of the 20th century. Wright invented floor-to-ceiling glass doors, double-pane windows and toilets affixed to the walls for this monument to American business. Massive, forbidding brick piers anchoring the exterior signaled a break with classical historical styles. The light-filled atrium piercing its five floors, with managers visible at their desks at the bottom, turned the traditional office hierarchy on its head.

The Martin House, a Prairie House complex of five buildings on a vast suburban lot, is the domestic counterpart to this vision. No European architect had come close to imagining such a fluid world. A composition of low brick structures, terraces, pergolas and gardens in which man and landscape were in tune, the design celebrated a democratic ideal of family life in which traditional social barriers, and the walls that reinforce them, were finally torn down.

Yet Wright's genius lay in his ability to accomplish this feat while conveying a profound serenity. The low roof and broad cantilevered eaves both beckoned to the horizon and provided shelter. The grid of wood beams in the living room, set just below ceiling level, visually broke down the space into discrete rooms while maintaining a sense of openness. Above all this architecture represented freedom both from Europe's suffocating traditions and from the feelings of cultural inferiority that had defined American architecture since the earliest days of the republic.

This departure from recycled European precedents is reflected in the city's late-19th-century urban planning as well. Buffalo's original plan from the early 19th century was loosely based on Pierre Charles L'Enfant's 1791 plan for Washington, an Americanized version of Paris's system of radiating boulevards. Its civic core, dominated by a mountainous City Hall, reads as an isolated fragment of a City Beautiful plan that was never fully realized.

Olmsted, as much social reformer as landscape architect, had visited John Paxson's Birkenhead Park near Liverpool, a pioneering project designed to better the lives of the city's working class. When he returned to New York, he expanded on that vision in his designs for Central and Prospect Parks, which he conceived as realms of psychological healing that could also break down class boundaries.

In Buffalo he realized an even grander ambition, creating a vast network of parks and parkways that he hoped would have "a civilizing effect" on the "dangerous classes" populating the American city. Flanked by rows of elm trees, the parkways were broken up by a series of gorgeous landscaped roundabouts, slowing the city's rhythms of movement into something more majestic yet distinctly democratic.

It didn't last of course. By the 1950s Buffalo's economy had already embarked on its long path to disintegration. The completion in 1959 of the St. Lawrence Seaway, which created a more direct route to the Atlantic Ocean, made the Erie Canal obsolete and deprived the city of its commercial lifeline. Economic decline was exacerbated by race riots in 1967 and white flight to the suburbs. By the mid-1970s the inner city was being abandoned.

Even so, many of the city's most revered monuments survived. Despite the destruction of some surrounding structures, the main house at the Martin complex remained intact. Richardson's asylum closed in the mid-1970s, and though one of its wings was demolished to make room for a new hospital next door, the bulk of the building still towers over Olmsted's park.

Today Buffalo is a collection of fragile museum pieces with a covey of local stewards struggling to preserve them as a means to help save the city.

It would not be the first place to see its history as a means of attracting tourist dollars. (Boston and New Orleans are among the obvious precedents.) What makes this historic revival so heartwarming, however, is that it is driven by genuine civic pride in the face of daunting odds.

When a group of private citizens took control of the Martin House in 1992, for example, their ambitions were relatively modest: to restore the main house, one of three structures that had not yet been demolished. As time wore on, the group began to see the entire complex as a singular vision that could not be understood unless it was fully brought back to life .

In the early 1960s its conservatory and pergola had been ripped out to make way for an unsightly apartment complex; in 1994 the group raised the money to purchase the structure, tear it down and rebuild the elements of Wright's complex that had been destroyed. A few years ago they bought the small gardener's cottage that anchored the northwest corner of the site as well.

The project's overall cost soared to more than $50 million from $10 million. But most of the structural and exterior work is now complete, and now, for the first time in decades, you can fully glean the genius of Wright's work.

Other projects have been less high profile but equally exemplary. On the October day I arrived, I met with Monica Pellegrino Faix, a representative of the Richardson Center Corporation, a local nonprofit group trying to save the asylum. The state has committed $76 million to help restore the complex, and the group is now trying to come up with potential uses for its vacant buildings, including using one for an architecture museum.

Later that day I met with a group of local activists who have been rebuilding single-family houses in some of the city's most run-down historic neighborhoods. On Richmond Avenue, one of Olmsted's grand decaying parkways, Harvey Garrett, a strategic planning consultant, spent several years renovating a 19th-century Victorian house before an arsonist set fire to it in 2006. He rebuilt it, and he is now one of the city's busiest community organizers and strongest preservation voices. Dozens of houses are now being renovated along the avenue, and an entire neighborhood that was once considered crime ridden is now livable again.

In a mostly abandoned factory area not far from downtown, Douglas Swift, a developer whose family has lived in Buffalo for generations, recently completed the restoration of a former Larkin warehouse, an early example of concrete frame construction; the project, which is now an office complex, has spurred a range of new development in the area.

What we see is a more egalitarian, diverse and socially tolerant vision of the city. It is both pro-density and pro-history. These residents have come to recognize through firsthand experience that social, economic and preservation issues are all deeply intertwined.

Sadly, not everyone has been so enlightened on this issue. Preservationists raised an outcry this year when Mayor Brown unveiled his plan to demolish 5,000 houses over the next five years as part of an effort to clean up some of the city's poorest neighborhoods. The National Trust for Historic Preservation and the mayor's office are now trying to hammer out a compromise.

And as the preservation movement has grown, it has inevitably gotten involved in bigger, more complex urban issues. The federal Homeland Security Department has proposed an expansion of the entrance to the Peace Bridge, the city's main border crossing into Canada. Preservationists balked. The project, which includes a vast new parking plaza for commercial trucks, would require razing five blocks of Columbus Park, a neighborhood of historic houses mostly built from 1860 through the late 1920s. A 20-foot-high berm would also be built alongside Olmsted's Front Park, which flanks one side of the neighborhood, blocking out sublime views of Lake Erie and the Niagara River.

The National Trust, which opposes the plan, has suggested moving the new parking plaza to the Canadian side of the border - a possibility that the Canadian government says it will consider - or rerouting traffic to one of four other bridges. But those prospects appear doubtful.

Meanwhile the city has begun to take a few cautious steps into the present. Toshiko Mori, a New York architect and the former chairwoman of the architecture department at Harvard's Graduate School of Design, is putting the finishing touches on a gorgeous new visitors' center at the Martin House. Gwathmey Siegel & Associates of New York has designed a sleek new zinc- and cast-stone-clad home for the Burchfield-Penney Art Center near the historic district of Elmwood Village, which opens next Saturday.

But how these projects will be forged into a cohesive vision for the city's future is less certain. The best-intentioned preservationists, however determined, can accomplish only so much. Often developers co-opt the achievements of these trailblazing individuals and nonprofit groups by dolling up historic neighborhoods for private gain. The city's rough edges are smoothed over to satisfy the hunger for more tourist dollars. Shiny new convention centers and generic boutiques follow. Yet schools, roads, bridges and electrical and power lines continue to crumble.

Buffalo is an ideal testing ground for rethinking that depressing model. Its architectural heritage embodies an America that thought boldly about the future, but believed deeply in the city as a democratic forum. What's needed now is to revive that experimental tradition.