So I will tell you all a little bit about Toronto, where I ran away to mid-week, to see some film festival films. I had to cancel like, totally everything in my life, but spur of the moment is always worth it. And those are always the most fun times, don't you think? Too much planning seems to take the spirit out of things. First thought, best thought, as the Zensters says.
Here is the quip I keep making about Toronto (whenever I think of something I think is witty I continually repeat it. Do I quote myself? Very well, then I quote myself.--HJ (WW)) Toronto is like the face of someone very beautiful. You know not to look too directly at it since the more you look the more you are entranced by it. So you kind of have to look at it only peripherally or only a little part at a time: an eyelash, a tower, the upper lip, an art museum. Otherwise you can't resist.
The first film I saw was sadly disappointing, since I really love the other films I've seen by the director, Alejandro Amenabar. He did The Others and Abre los Ojos, the film Vanilla Sky is based on (but is so much better than.) This movie, Mar Adentro, was about a quadriplegic who wants to die, and his family/legal/romantic struggles with said dilemma. It was pretty much a one trick pony. Oh so sad the poignant poet can't move and loves death. We're all trapped in our bodies in one way or another, I say. But then, I've never been paralyzed, so I should probably shut up. But the one cool thing was that the actor in it is one of my favorites, Javier Bardem, and he was there to introduce the film. He's in a great movie about Cuban writer Reinaldo Arenas [inlink]holly,9[/inlink] called Before Night Falls. Anyways, he's so grand and beautiful. Even from the high red velvet balcony seat where I was sitting I could see his lovely giant hands. They were as large and soft as fresh loaves of bread. I wanted to inhale their warm scent and nibble them. Too bad he was fakely bald and in bed the whole movie. What a waste of a beautiful man.
Anyways, after the sadly disappointing film I went to the Horseshoe Tavern, a really great bar for live music (and the inspiration for one of my longest journals [inlink]holly,9[/inlink]). The band that was playing was called Divine Comedy, they're from the UK. They were very drole but not ironic. And they hand a banjo. I thought the singer sounded quintessentially English, a cross between Bowie and Morrissey. My friend who is English thought he sounded like Jim Morrison, very American. Mind the culture gap, I guess.
The next day I went to the AGO, Art Gallery o'Ontario, where I had just been on Sunday to see the Turner, Whistler, Monet show, but nothing else. So I went back mostly to see some really lovely Inuit carvings, and works by this artist Mark Lombardi
. He makes these really elegant anatomical maps of global influence and corruption. There'll be a little circle that says George H. W. Bush and then lines drawn to banks, sheiks, gov't front agencies, etc. It all has its own grammar and timeline and aesthetic. The future of information, if you ask me. I showed some pictures and tried to explain it to my freshman Critical Thinking class, and they just stared blankly at me. Maybe I'm as confusing as I am confused...